shape. Modern architecture, rather than originating in a priori, for each new project raises the issue of the construction. How is one to porteriori.
elements. The new architecture is elementary, ie, develops from the construction elements: light, function, materials, volume, time, space, color. These are both creative elements.
economy. The new financial architecture, ie, uses the most essential basic means no depletion of resources and materials.
function. The new architecture is functional, ie, based on the synthesis of practical requirements. The architect are determined in a clear and legible. The
report. The new architecture is formless, but also well established. Not recognize a scheme a priori, a mold in which to dump the functional spaces. Contrary to all styles of the past, the new architectural approach does not know fundamental and immutable types. The division and subdivision of the interior and exterior spaces are determined rigidly by planes that are not individually. These levels can extend to infinity on all sides and without interruption. The result is a chain in which the different points correspond to the same amount of points in the general area, because there is a relationship between the different planes and space.
The monumental. The new architecture, rather than monumental, is an architecture transformation of lightness and transparency. Has spread the idea of \u200b\u200b"monumental" for the "big" and "small" has shown that everything exists in relation to something. Vacuum
. The new architecture knows no party liability, has overcome the gap. The window is no longer a hole in the wall. A hole or a vacuum not come from anywhere because everything is rigidly determined by its contrast.
plant. The new architecture has destroyed the wall in that it removes the dualism between inside and outside. The walls do not argue, have become points of support. It is a new plant, an open plan; totally different from that of classicism, for indoor and outdoor spaces communicate.
Subdivision. The new architecture is open rather than closed. The set consists of a general space, which is divided into different areas that concern the comfort of home. This subdivision is done through the separation levels (inside) and closure plans (exterior). The first, which separate functional areas, can be movable, ie they can be mobile screens (among which we include the door). In a more developed stage of modern architecture, the plant disappears. The spatial composition projected in two dimensions with a horizontal section (the plant) can be replaced with an exact calculation of the construction. Auclídeas mathematics can no longer serve us, but with the help of non-Euclidean conceptions of four dimensions, it will be easier.
time. The new architecture has not only space and architectural value, but also over time. The unit of time and space given to the architectural image a new look and more artistically complete. What we call "animated space." Appearance
plastic. Fourth dimension of space - time. A static
spect. The new architecture is anticúbica, ie the different spaces are not compressed in a closed cube. By contrast, the different spatial cells (the volume of the balconies, etc..) Develop eccentrically from the center to the periphery of the hub, therefore the dimensions of height, width and depth are a new artistic expression. The modern house, thus giving the impression of being suspended in the air against natural gravitation. Symmetry and repetition
. The new architecture has been removed and destroyed monotonous repetition of two equal halves, the symmetry. Neither admits nor repetition time or any muraille of rue, and standardization. A block of houses is a whole, and also a house. Worth the same laws for a block of houses for individual housing. Balance and symmetry are very different things. Instead of symmetry, the new architecture proposed: balanced relationship of unequal parts, ie parts that are different (position, size, proportions, etc.) For its functionality. The composition of these parts is given by the balance of the differences, rather than the similarities. The new architecture does not distinguish between "before" (front) and "behind", right to left, nor, as far as possible, up and down.
frontal . Unlike the frontal, born of a static conception of life, the new architecture will be enriched by the many-sided artistic development in space - time.
color. The new architecture has eliminated the individual expression of painting, ie painting, imaginary and illusionist expression of harmony with natural forms indirectly or more directly by building in layers of colors. The new architecture takes the color itself organically. Color is one of the basic means to make visible the harmony of architectural relationships. Without color, these relationships are not living realities proportion and color is through the architecture becomes the target of all plastic research, both in space and time. In an architecture neutral, achromatic, the balance of relations between the architectural elements invisible. Therefore, we sought a final note: a picture (on a wall) or a sculpture in space. But it has always existed a dualism that goes back to the days when the aesthetic life and real life were separate. Delete this dualism has been a long time, the mission of all artists. Birth of modern architecture, the artist has found his true constructor building field. Aesthetically organizes the color in the space - time and becomes visible plastically a new dimension.
Decoration. The new architecture is antidecorativa. The color, instead of dramatizing a flat surface rather than surface ornamentation is as light, a fundamental means of expression purely architectural.
architecture as a synthesis of the new visual expression a. In the new architectural design, building structure is subordinate. Only through the collaboration of all arts architecture is complete. The artist is convinced neoplastic building in the field of space - time, and this implies the willingness to move in the four dimensions of space - time, because the new architecture does not allow any imagination. (In the form of "frame" or "sculpture" separable.) The aim is to create harmony together, using their own specific ways. Each architectural element contributes to a maximum of artistic expression, on a logical and practical. Here
verbally, which means the new method of architecture.
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