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PLACE: A BRIGHT SUN

Marta from " THERAPISTS IN THE COLE " has given me this award: sunshine.

Thanks for the award, Marta. It has made me very excited, and congratulations to you too for having received.

And I want to share this award with:

- Anabel of " The sound of the grass to grow " because it gives me many interesting resources and has helped me learn more and better autism.

- Luisa of " helps you connect ": to give a boost to this blog just born.

A greeting to all of you

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"Game, Toys and Early"

" Games, Toys and Early is a publication that is part of the project's results" through the Early Learning play and toys. Guidelines for toy design psychology useful in therapy, "funded by the IMPIVA (ERDF) and developed by AIJU in collaboration with CDIAT-APADIS .

GUIDE-10 early childhood toys

can also download this document from Megaupload . ______

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Parent's Guide to Genetics and hearing loss

I present a parent's guide to genetics and hearing loss prepared by Department Health and Human Services. Centers for Disease Control and Prevention. National Center on Birth Defects and Developmental Disabilities and Division of Human Development and Disability. Hearing Detection and Intervention. Atlanta, GA.

Parent's Guide to Genetics and hearing loss

___

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paper on "Language Disorders"

Inquiring into the net I found a document that I found it interesting and wanted to share with you. You can access it from this link.

" Summary: Language is one of the primary behaviors of human beings, who will become the basis of all communication. The child should be in top condition from the neurological point of view, linguistic and psychological to acquire and develop the "language" and "talk" normally.

This article begins by recalling the characteristics of normal child language development at various stages of maturation. Following are some ideas for the pediatrician to explore the language, will define what will be his role to a suspicion and include guidelines from the pediatric consultation can be offered to parents in each case.

problems are known to be present when the child slow to speak, if he stops talking or say bad things, or when you have other disorders. Then it will analyze the voice disorders, speech, language, oral or written.

The findings are a reminder of the various warning signs that may occur as well as referrals to other specialists that may be necessary. "

AM Redondo Romero (Pediatra. Health Center Cabo Huertas. Alicante)

J. Lorente Aledo (Logopeda. Educational Psychology Service School. Novelda, Alicante) ________

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More Chips: BIG-SMALL

here for more chips work size: large-small.

Grande-small - Color



Grande-pequeño - Take part

_____ Here

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graphomotor

initiation chips to work in stroke:

graphomotor - Horizon Such Simple Strokes


Grafomotricidad - Plot Vertical simple

can also download this material from Megaupload:

·

horizontal strokes

·

vertical strokes

____

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Sheets to start 100% CREATIVE HANDS AWARD

I have received a gift, JOSE MARIA 's Blog " Communication is more to say ..... " has given me this award, which made me really happy. And I want to share with three blogs that I like:

·

Blog Hearing and Language of Esther .

· My mom is a speech therapist of Merche .

· Jasmine of Maria Gloria .

Greetings to all, and thanks for such wonderful things to share with us @ s. _______

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Sheets: "many vs. Few"

I leave cards that have recently developed to work the amount, namely "many-few ."

many-few

Muchos-pocos en Blanco y Negro

can also download them from Megaupload:
· in color.

· black and white. ____

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The need for a joint disorder (ADHD)

I presented a paper on attention deficit and hyperactivity disorder (" Attention deficit hyperactivity disorder in children and adolescents. The need to work together. ") of Alphonsa Lora Espinosa, primary care pediatricians. Published by the Association of Pediatrics Primary Andalusia.

The Need for a Joint Working

also

You can download it from Megaupload .

_____

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Stuttering: a guide for teachers and parents guide

I present two guides on Stuttering: the first is addressed to teachers and parents second. The Teachers Guide published by the English Foundation Stuttering, while Guide for Parents published by the Stuttering Foundation of America :

can also download them from Megaupload:

· Guide for teachers.

· guide for parents. ___

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The Frogs

Months have been hard work, long time, many decisions behind and, above all, a great job by our anthologist, that which we have sought sports scout on the borders of the Land of Fantastic Literature English for reunirnos.Finalmente in a few days will published "The Toad Soup." What
co * # is the Toad Soup? The Soup
Sapos, seven strangers have come together to cook a few previous experiment (to me I can not think of any). An anthology of horror stories in a common universe built through these stories and a set of rules provided in a free, one in seven stories focus autor.Estos itself a different facet of the universe as a polygon impossible to have shown a different face to each of the authors. But while they have been united, common threads weaving, directing their characters at the same place, visiting similar places, never the same. DH Publishing
And it will put on sale this October. I leave a link to the new editorial page for you to take a look. Www.dhediciones.com/ Oh by the way, I forgot. Although I think that's obvious to everyone ^ ^ U. I am among the seven authors. "'ll Want a spoonful of soup, yes?

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Conferences


Day 24 .18:30 pm. Cepia Auditorium.

• Simonetta Rossi / Concepcion, Chile.
  (Art historian, curator and teacher)
  
  
  "CONCEPCION CHILE CCCH_COORDENADAS Reflections and curatorial practices"
  
  constituent aspects of the city of Concepción, pre and post 27 F. Tensions art / city in the study works and local strategies.
  
  

• Fabian Liguori / Córdoba, Argentina.
  (Visual Artist)
  
  
  "Choosing the apocalypse"
  
  -think my work and my ideas about art behave as if they were constantly on the verge of being destroyed-
  
  

  Lila

• Pagola / Córdoba, Argentina.
  (visual artist, university teacher and activist software and free culture)
  
  
  ° Background of the critique of authorship in art and its relationship to culture movement book ·
  
  

Day 25 .18:30 pm. Cepia Auditorium.

• Gabriel Valansi / Buenos Aires, Argentina.
  (artist, photographer and professor of Audiovisual Design-UBA)
  
  
  ¨ itineraries, procastinación and processes in the generation of work. ¨
  
  

• Alejandra Perié / Cordoba, Argentina.
  (Professor and researcher at UNC. Doctor of Fine Arts, Univ of Castilla La Mancha, Spain)
  
  
  "On the allegorical procedures in contemporary art."
  
  
  

Location: CEPIA, Avenida Medina Allende Ciudad Universitaria s / n

Free admission

(certificates of attendance are given a cost on request)

telfs: 4334110 / / / / 152348924

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artist / curator / GUEST THEORETICAL RESULTS OF THE CALL

coordinate the workshops and give lectures on their own work the following guests: Alejandra


Perié (CBA)
Gabriel Valansi (BA)
Pagola Lila (CBA)
Fabian Liguori (CBA)
Simoneta Rossi (CHILE)

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1. SYNOPSIS OF THE MOVIE "MY UNCLE" DE JACQUES TATI
2. ANALYSIS OF THE MOVIE "MI TIO "DE JACQUES TATI
3. BRIEF SUMMARY OF THE CONCEPTS OF JANE JACOBS IN" MUERTEY LIFE OF BIG CITIES "
4. the 9 th and 10 th CIAM: CRITICISM OF TEAM 10
5. GUIDING PRINCIPLES OF TEAM WORK 10
6. EXISTENTIAL SPACE ELEMENTS OF CHRISTIAN NORBERG SCHULTZ AND THE ELEMENTS OF THE IMAGE OF THE CITY OF KEVIN LYNCH: COMPARATIVE AND CONCEPTS
7. BRIEF SUMMARY AND CRITIQUE "ESSAY ON THE CONCEPT OF THE" ALEXANDER CHRISTOPHER
8. CONCEPTS OF ROBERT VENTURI IN "Complexity and Contradiction in Architecture"
9. MAKE A COMMENT ON THE CONCEPT OF ROBERT VENTURI and Denise Scott Brown in "LEARNING FROM LAS VEGAS"
10. CONCEPTS Charles Jencks KEY IN "THE LANGUAGE OF POSTMODERN ARCHITECTURE"
11. CONCEPTS OF ALDO ROSSI ON "THE ARCHITECTURE OF THE CITY"
12. INFORMED MAKE A COMMENT ABOUT THE POSTMODERN ARCHITECTURE. EXAMPLES

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Finally we had selected but also invited residents in different provinces.

Listing:


Aylen Crusta / Valeria Luciano Lopez
Burba TOWEMALMI
John Gugger

Julia Bonfiglio

Stang Russia Valeria Odriozola

Juan Florencia Josefina Cava Walter Caron


Celeste Martinez Guillermo Molina
Manula
Stefani Mariana Pavan Guillermina Bustos

Gisela
Casiva Emilia Di Marco Daniela Arnaudo

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With the new knowledge

neurophysiological ancient mind-body dichotomy is behind us and we understand the operation of the body as a unit in constant adaptation.

psychopathology is then presented as a way of life ritaulizado and rigid. One way of organizing global events of the organism and its environment that leaves the biosystem far as to seek their welfare.

can facilitate a shift from therapeutic interventions. On this day we will see how he does the School of Biosystems by using the empathic attunement and how to access to new forms of emotional experiences.

Exhibitors are two renowned Italian La prof. Prof. Maurizio and Patrizia Violi Stupiggia make a theoretical tour on Thursday and completely experiential on Friday 24 and Saturday 25 Sep 2010 by presenting a new look for the meanings that the body communicates beyond the use of language. THURSDAY

THEORETICAL COST: $ 30,000

EACH WORKSHOP: $ 25,000 (if you take the 3 workshops 60,000)

MORE INFORMATION AND REGISTRATION

Ps. San Martín Consuelo

sanmartinconsuelo@gmail.com

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Days

Milena Velba Teaching School

Cordoba Ipa Lacan August 2010 Final program

Days 6 and 7 August will be held in the city of Cordoba the Inter-Agency Conference on Ipa Lacan.
The title of this third conference will be the question What we do in the clinic? and focus on the discussion of material provided by one attendee.

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QUESTIONS BANK FILM REVIEW MY UNCLE

COUNTERPOINT BETWEEN TWO FORMS OF CITY AND TWO WAYS OF LIFE:

The center of the city that kept old buildings and traditional lifestyles, marked by intense relations between the person, not specialized use of urban space (street-market-gaming space, meeting space) compared to a typical set of individual housing speculation alone, with withdrawals that separates it from the street and neighbors to avoid encounters.

class A house low to medium low, the result of successive adaptations of a previous building downtown, resulting in a space rather labyrinthine, with overlapping and overlapping that causes permanent meetings with the neighborhood, past a house functionalist, whose main characteristic is to have strict zoning (garden different terraces for different uses: lunch, coffee or have guests) and also has a high level of automation, especially in the kitchen and that the only possibility of establishing some kind of social or visual relationship with neighbors is to enter ritual at the house (the ritual of lighting the pool conspicuous) or surreptitiously looking over the wall dividing the house next door ..

The city center is seen as a safe space for children who have taken over the streets and run around and use space creatively, while the Arpel family neighborhood is perceived as gray and uncertain, for the enclosure and the scene where the house is anthropomorphizes acquiring the image of a face to watch.

; ;

THE HOUSE AND THE MACHINES ARE MANUFACTURED

plastics factory Mr. Arpel has a high level of automation course like home. Bed and factory have a production-based organization ( the technological part of the house is the kitchen). The house is designed as a factory, composed of interrelated elements that must function properly if the tasks set are met. But in the factory and at home, when an element fails, there is chaos. At the factory, when Monsieur Hulot "Moneo" the machine and start producing sausages instead of tubes. And in the house when Hulot click the source pipe and meaningless space "to eat in the garden there is also chaos.

ULTRATECNOLOGÍA CRITICAL TO THE DESIGN AND banality

The scene where Hulot looking glass in the kitchen is a critique of consumerism, technology, the snobbish attitude of have the latest technology, which borders on the absurd.

also the way in which Hulot use the "soft" room to rest is a joke estilizante design, the formalist tendency imposed "fashion" and "styles" and that only represents an effort to sell and not a product designed for the welfare human.

ROLES, personality, values \u200b\u200b

Arpel's family is an archetype of male family, consumerism and ostentatious, centered economic objectives and maintaining a status determined by their level of consumption . He is the typical supplier husband keeps under his all-embracing Power to the family. Is a staunch advocate of the positive values \u200b\u200bof capitalism. He seems like a bad influence Hulot relationship with your child. Hulot tries to help by getting a job in the factory.

She is the typical domestic slave, with the role of maintaining and cleaning the house, which meets the hype. It is very ostentatious home "modern" to their friends. The source is an article of ostentation, which only begins to run when someone visits your home.

The wedding anniversary is giving away "properties" property, no personal use which shows their values, focused more on the property.

Arpel and his wife agree to make a lunch in the garden and invite the neighbors to know you Hulot, in the perspective that could be a couple. Is the defense of family values \u200b\u200bunder the consumer model. Hulot

instead shows human values, see the reality with the innocence of a child, so it has a great relationship with his nephew, alternating with all its neighbors, is concerned simplest things like picking your clothes dry, remove the shirt ironed by his neighbor, or move the sash to glare then the canary sing. It is the figure opposite the successful Lord Arpel

SYMBOLS

The neighborhood in the center and the house of M Hulot also symbolize the "natural" earthy colors, natural materials: stone, brick, vegetation, canaries, dogs, natural forms, while the house Arpel stands for "artificial" gray, metal, glass, plastic, until the garden appears artificial (! garden square linear forms).

anthropomorphizes

The house and takes the appearance of a face to watch. Who watches? Let there be no invaders or thieves. Expressed feelings of insecurity and at the same time reveals the character of the house as the space saved possessions. The fortified house. Against this, Hulot is the key to the door of his home "hidden" on small roof above the door, in view of the world. Reveals a high degree of confidence in the neighborhood and of course the peace and security that Jane Jacobs speaks: "That peace must be ensured mainly a dense and almost unconscious, network of voluntary controls and reflexes and good provision recorded in the minds of people and constantly fed by them. " is the security of the old neighborhoods.

Tati is pessimistic about the future of the city. Towards the end of the movie is a scene where a house is the center that is being overturned. It symbolizes the gradual disappearance of the center and ways of living that houses and speculative extension of the city, functionalist and consumer lifestyle, individualistic.

A GREAT ARTICLE ON THE FILM

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Adjective

ADJECTIVE concerns and the specific value in the artistic field.
is the value in and of: art, artwork, theory, artistic practice and knowledge. It's about the particular experiences and productions that make manifest and be recognized qualifying. Want to be a meeting to give value to artistic productions / theoretical / curatorial, and their authors, by the situation of exchange, cooperation and mutual recognition.

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Who is involved?

Participation by national call to attend workshops taught by artists / theorists / guest curators.

Participation by invitation to deliver workshops and conferences.

Open to general public.

ADJECTIVE The meeting agenda will include:

national call for participation of the meeting.

For people that are active in relation to the visual arts, artists, theorists, curators, students. The selection of participants will be based on the presentation of theoretical, curatorial or production work already done or underway.

day of conferences, workshops and forums.

artists, guest curators and theorists working on common themes derived from analysis of selected works in the call for a workshop to be proposed as a conceptual tool and specific procedural . It foresees the development of 6 workshops. Each workshop will be led by a local guest and a visitor from another city.

addition, guests will present their own productions (theoretical, artistic, curatorial) in public lectures and participate in scheduled forums where they will discuss the results of the workshops.

Publication of the results of the meeting.

Organizers: Carina Cagnolo and Andrea Ruiz

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Open Call Program nationally

national Call for meeting participation.

For people that are active in relation to the visual arts, artists, theorists, curators, students. The selection participants will be based on the presentation of theoretical, curatorial or production of work already completed or underway.

artists, guest curators and theorists working on common themes derived from analysis of selected works in the call for which propose a workshop as specific conceptual and procedural tool. It foresees the development of 6 workshops. Each workshop will be led by local a guest and a visitor from another city.

This proposal does not involve the implementation of projects during the term of the Meeting.

Selected participants must make two mandatory and one optional workshops, and participating in discussion forums during the 4-day meeting. These activities will be developed in full days on 17, 18, 19 and 20 August in the mornings and afternoons, in Cepia (Research and Production Center of Arts), UNC, and in the City of the Arts.

10 works will be selected participants from the city of Córdoba and 10 other cities. Participation in these workshops is free. A selected individuals who reside in other cities give them the land tickets round. The organization of this meeting will attempt to manage lodging facilities in the city of Cordoba during the days of the meeting.

Requirements

Applicants to participate in Adjective - Meeting Artistic Theory and Practice, should send the following documents via e-mail to adjetiva.encuentro @ gmail.com :

1.

A chip with personal data including: Name, age, place of residence e-mail and telephone.

2.

For theoretical work : u No summary of maximum 2 A4 pages in Times New Roman 12, in a file, preferably in pdf , or doc .

for curatorial work : an explanation of same as no more than 2 A4 pages in Times New Roman 12, in a file, preferably in pdf, doc or .

For the production of visual work : text, diagrams, graphs, maps, etc.. not exceeding 5 A4 pages in a file, preferably in pdf, doc or .

If deemed necessary include: a maximum of 5 images in JPG format (72 dpi, 15 x 10 cm . Max.) Video (send a link to download or view online), audio (mp3 or wav, max. 3 Mb)

3 .

A memory of their artistic / theoretical / curatorial latest. Maximum length: 500 words.

4.

Examples of his latest works: 5 images JPG (72 dpi, 15 x 10 cm . Max.) Abstract theoretical work (500 words), video (send a link to download or view online) audio (mp3 or wav, max. 3 Mb).

Presentations should remain open May 3 to June 7, 2010 . The results were published from June 14.

All documents must be compressed into a single file and SENT BY E-MAIL TO THE ADDRESS adjetiva@gmail.com

Homeowners Extended Warranty

This project aims to present a platform for discussion about the research and production in the field of visual arts. We believe a key objective revitalize circulation and dissemination strategies of artistic productions and theoretical premises. Therefore, we propose the articulation of these productions among themselves and between them and those of other cities in Argentina and Latin America.

preparing this project, we set of perceptions and intuitions about the state of the art scene in the city of Cordoba. In summary, we can say that there are conditions infrastructure, production, intellectual, artistic and management, better suited for development and expansion of the movement but these are disjointed and disconnected from each other scenes view of a projection and actual exchange.

So, we underline the problems of movement as our main concern. Supporting us in the position that the development of circulation, improving their material and symbolic integration in the systems of recognition and legitimacy reinvested in more and better production, construction of local scene and in recognition of it.

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17 POINTS OF ARCHITECTURE Neoplast Theo van Doesburg (1925) WORKING GUIDE

shape. Modern architecture, rather than originating in a priori, for each new project raises the issue of the construction. How is one to porteriori.
elements. The new architecture is elementary, ie, develops from the construction elements: light, function, materials, volume, time, space, color. These are both creative elements.
economy. The new financial architecture, ie, uses the most essential basic means no depletion of resources and materials.
function. The new architecture is functional, ie, based on the synthesis of practical requirements. The architect are determined in a clear and legible. The
report. The new architecture is formless, but also well established. Not recognize a scheme a priori, a mold in which to dump the functional spaces. Contrary to all styles of the past, the new architectural approach does not know fundamental and immutable types. The division and subdivision of the interior and exterior spaces are determined rigidly by planes that are not individually. These levels can extend to infinity on all sides and without interruption. The result is a chain in which the different points correspond to the same amount of points in the general area, because there is a relationship between the different planes and space.
The monumental. The new architecture, rather than monumental, is an architecture transformation of lightness and transparency. Has spread the idea of \u200b\u200b"monumental" for the "big" and "small" has shown that everything exists in relation to something. Vacuum
. The new architecture knows no party liability, has overcome the gap. The window is no longer a hole in the wall. A hole or a vacuum not come from anywhere because everything is rigidly determined by its contrast.
plant. The new architecture has destroyed the wall in that it removes the dualism between inside and outside. The walls do not argue, have become points of support. It is a new plant, an open plan; totally different from that of classicism, for indoor and outdoor spaces communicate.
Subdivision. The new architecture is open rather than closed. The set consists of a general space, which is divided into different areas that concern the comfort of home. This subdivision is done through the separation levels (inside) and closure plans (exterior). The first, which separate functional areas, can be movable, ie they can be mobile screens (among which we include the door). In a more developed stage of modern architecture, the plant disappears. The spatial composition projected in two dimensions with a horizontal section (the plant) can be replaced with an exact calculation of the construction. Auclídeas mathematics can no longer serve us, but with the help of non-Euclidean conceptions of four dimensions, it will be easier.
time. The new architecture has not only space and architectural value, but also over time. The unit of time and space given to the architectural image a new look and more artistically complete. What we call "animated space." Appearance
plastic. Fourth dimension of space - time. A static
spect. The new architecture is anticúbica, ie the different spaces are not compressed in a closed cube. By contrast, the different spatial cells (the volume of the balconies, etc..) Develop eccentrically from the center to the periphery of the hub, therefore the dimensions of height, width and depth are a new artistic expression. The modern house, thus giving the impression of being suspended in the air against natural gravitation. Symmetry and repetition
. The new architecture has been removed and destroyed monotonous repetition of two equal halves, the symmetry. Neither admits nor repetition time or any muraille of rue, and standardization. A block of houses is a whole, and also a house. Worth the same laws for a block of houses for individual housing. Balance and symmetry are very different things. Instead of symmetry, the new architecture proposed: balanced relationship of unequal parts, ie parts that are different (position, size, proportions, etc.) For its functionality. The composition of these parts is given by the balance of the differences, rather than the similarities. The new architecture does not distinguish between "before" (front) and "behind", right to left, nor, as far as possible, up and down.
frontal . Unlike the frontal, born of a static conception of life, the new architecture will be enriched by the many-sided artistic development in space - time.
color. The new architecture has eliminated the individual expression of painting, ie painting, imaginary and illusionist expression of harmony with natural forms indirectly or more directly by building in layers of colors. The new architecture takes the color itself organically. Color is one of the basic means to make visible the harmony of architectural relationships. Without color, these relationships are not living realities proportion and color is through the architecture becomes the target of all plastic research, both in space and time. In an architecture neutral, achromatic, the balance of relations between the architectural elements invisible. Therefore, we sought a final note: a picture (on a wall) or a sculpture in space. But it has always existed a dualism that goes back to the days when the aesthetic life and real life were separate. Delete this dualism has been a long time, the mission of all artists. Birth of modern architecture, the artist has found his true constructor building field. Aesthetically organizes the color in the space - time and becomes visible plastically a new dimension.
Decoration. The new architecture is antidecorativa. The color, instead of dramatizing a flat surface rather than surface ornamentation is as light, a fundamental means of expression purely architectural.
architecture as a synthesis of the new visual expression a. In the new architectural design, building structure is subordinate. Only through the collaboration of all arts architecture is complete. The artist is convinced neoplastic building in the field of space - time, and this implies the willingness to move in the four dimensions of space - time, because the new architecture does not allow any imagination. (In the form of "frame" or "sculpture" separable.) The aim is to create harmony together, using their own specific ways. Each architectural element contributes to a maximum of artistic expression, on a logical and practical. Here
verbally, which means the new method of architecture.